Abstract
“Thin Edge of Barbwire,” a reference to Gloria Anzaldúa’s poetry, doubles as the title of this paper and a collaborative art project undertaken by university art students resulting in the creation of a 30’ wall. This project was, in effect, a response to the Trump presidency and students’ fear of increased violence on the border. This paper describes in detail the month-long unit that included readings, dialog, and creative responses to recent histories of the border and students’ personal relationship to violence on the border. I use the project as a case study to consider antiracist pedagogies, confronting white-supremacy in the classroom, and successes and failures of the project. Finally, I reflect broadly on the role of creative and artistic response to political crises.
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